Working with Ableton Link
With the help of Carabiner, Triggers can synchronize an Ableton Link session’s tempo, beats, and bars to the track playing on their watched player, or you can add Link as its own “player” that can become Tempo Master to the CDJs. Even without Carabiner, you can control which players are Synced, and which is the Tempo Master.
If you install and run Carabiner, Beat Link Trigger can tie into an Ableton Link session, so you can synchronize programs like Ableton Live, Traktor, and an increasing collection of others (as well as more and more hardware), to the tempo and beat grid established by the players being watched by your triggers.
Once you have installed Carabiner and have it running, bring up the
Carabiner Connection window by choosing
Ableton Link: Carabiner Connection in the
This will open the Carabiner Connection window (the set of devices you see at the bottom will depend on what is actually on your network):
This window will also open whenever you choose
Carabiner Port value to match the port on which your
Carabiner daemon is listening. The default value of 17000 will work
unless you have had to explicitly tell it to use a different port
because some other program is using that one on your system.
Latency value is the number of milliseconds it takes from when a
beat is actually playing on the players in your DJ Link Pro network to
when the corresponding beat packet is received by Beat Link Trigger.
The default value of 1 ms seems to work well, but if your Ableton
Link session seems to be running audibly behind beats from your
Pioneer gear, you can increase this value until things sound right.
Once your port value is correct, you can click the Connect check box to establish a connection with Carabiner:
Once connected, you can no longer adjust the port value, but you can tweak the latency at any time while listening to sound from your Pioneer gear and Link-enabled software or hardware.
The current tempo of the Link session is shown, as well as the number of other Link-enabled programs (Link Peers) visible on the network.
In order to allow triggers to influence the Link session, configure a trigger to send to Link by choosingin the trigger itself:
Triggers that work with Link can align the beat grid with either
individual beats, or entire bars of four beats (the default). If you
want simple beat-level alignment, uncheck the trigger’s
If the systems you are integrating with support version 3 of the
Ableton Link protocol, you can also use its Transport Control feature
to tell them to start playing when the trigger activates, and stop
when it deactivates, by checking the trigger’s
Software and devices using older versions of the protocol will simply
ignore these instructions even if you have this turned on.
Once a trigger like this activates, the tempo of its watched player
will show up as the
Target BPM within the Carabiner Connection
window. That is not happening yet, though:
Starting with version 0.4.0 of Beat Link Trigger, Carabiner can sync without using triggers at all. If you still want to use it in that mode, you need to choosein the Carabiner window. Once Carabiner is connected and set to Triggers as its Sync Mode, whenever a Link trigger is active, Beat Link Trigger will control the Link session tempo, and will align it to the beat (or bar) of the trigger’s watched player:
To the right of the
Sync Mode menu there is a status indicator
which shows whether Carabiner is currently enabled (a green circle) or
disabled (a red circle with a slash). To be enabled, the
check box must be checked and the
Sync Mode menu must be set to
something other than
When you are using Triggers as your Sync mode, if a Link trigger is currently active and thus trying to affect the Link session, there is a filled circle inside the enabled circle:
Disabled (Sync Mode
Enabled, No Link Trigger Active
Enabled, Link Trigger Active
Sometimes you simply want to tie the Ableton Link session to whatever
is playing on the CDJs, without having to set up a trigger to manage
it. You can do that by choosing
Ableton Link section of
the window becomes enabled:
This gives you a place to control the things that a trigger would
normally set for you (whether the Link session is currently being
synced, and if it should be aligned at the level of beats or entire
four-beat bars). Since it starts out with
Sync unchecked, when you
are ready to tie the Link session to the Pioneer beat grid, simply
Sync checkbox in the Ableton Link section:
At this point the Link session will follow the master Pioneer player, until you change the Carabiner settings.
If you are using Passive or Full Sync Mode, and
would still like a trigger to control the Ableton Link transport
(playing/stopped) state, you can do it by calling functions in your
trigger expressions. Use
You do need to make sure Carabiner is connected before calling either of these functions, though. This will do the trick:
(when (beat-link-trigger.carabiner/active?) ;; Your code here )
If you want to only start or stop the transport when the
The Sync Mode status indicator works very similarly in this mode to
how it worked in Triggers mode, except that it doesn’t depend on the
state of any triggers. If the
Sync checkbox is checked, it shows
an active Sync state:
Enabled, Not Synced
Sync checkbox works for the Link session in the same way the
Sync checkboxes in the bottom section do for Pioneer devices,
as described in the Sync Control section below. This
Sync Mode is called
Passive because Ableton Link can only follow the
Pionner players, it can never control their tempo or beat grid. That
is why the
Master radio button in the Ableton Link session remains
disabled. To enable that, you need to take the Sync Mode all the way
Full, which is our next topic.
If you want the Ableton Link session to be a full participant on the Pioneer network, and able to become Tempo Master, choosein the Carabiner window.
In order to do this, Beat Link must be using a standard player number, so it can fully participate as a Tempo Master. You turn this on by checking.
Once you successfully activate Full Sync Mode, the entire Ableton Link section is enabled, and you can have the Link session become Tempo Master for the Pioneer players by clicking the Master radio button in that section:
When Link is tempo master, any Ableton Link enabled software or hardware can control the Link session tempo, and any Pioneer players that are in Sync mode will follow along, aligning to the beats (or bars, if you have that option checked) of the Link timeline.
In this Sync Mode, the
Link BPM becomes editable in this window as
well. You can click on the arrows to nudge it up or down by 0.01 BPM
at a time, or you can type a new tempo in the field and press
Return to jump immediately to that tempo. This will affect both
the Link session itself, and any Pioneer players that are in Sync
The Sync Mode status indicator again works similarly in this mode to
how it worked in Passive Sync mode, except that it shows an active
Sync state when either the Ableton Link
Sync checkbox is checked or
Master radio button is chosen.
Enabled, Neither Synced nor Master
Enabled, Synced or Master
You can also put any player in Sync mode, or assign it as the Tempo Master, which is the topic of the next section.
The bottom section of the window lets you see and control which players are in Sync mode, and which is the Tempo Master.
|You can use this feature without connecting to Carabiner, and without even installing the Carabiner daemon.|
Simply check or uncheck the
Sync checkbox to adjust each player’s
Sync state, or click the Master radio button of the player that you
want to become the Tempo Master.
Beat Link’s implementation of the sync control protocol works in both directions. If the DJ causes another player to become Tempo Master, the Link session will gracefully give up that role. The checkboxes and radio buttons will update to reflect any changes made on the players themselves. And if there is a DJM mixer on the network, it can tell Beat Link to turn its own Sync on or off, or become Tempo Master, and Beat Link will obey.
In very special situations, for example when you want to synchronize with a set of Ableton tracks that have not been properly tempo marked or warped, but are all pretending to be at 120 BPM, you can tell Beat Link Trigger to ignore the actual tempo of the track that is playing on a CDJ, and adjust your fixed tempo value based on the current playback pitch.
To do this, use the Global Setup Expression to assign a value to the
:use-fixed-sync-bpm global, like so:
(swap! globals assoc :use-fixed-sync-bpm 120.0)
Once you have done that, Beat Link Trigger will pretend that whatever track is playing has a native tempo of 120 beats per minute (or whatever value you have chosen). If the DJ plays it at a pitch of +5%, Beat Link Trigger will sync the Link session (or MIDI clock, which also supports this setting) to 126 BPM (which is 5% more than 120), regardless of the actual tempo of the track.
|This fixed Sync BPM override works only for Trigger-driven sync, and works for triggers configured to use either Link or MIDI Clock. It has no effect when you are using the Carabiner window in Passive or Full Sync mode to bridge the Ableton Link session to the Pioneer network.|
Don’t forget you have done this, or you will wonder why your sync is not working properly when you are trying to sync with tracks and systems that are properly beat gridded and tempo analyzed! To get back to normal, either remove the above line from your Global Setup Expression and quit and restart Beat Link Trigger, or edit the expression and replace that line with the following one, which undoes the setting immediately:
(swap! globals dissoc :use-fixed-sync-bpm)
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